SKU: 40599219075
dress shoes for men black and white

dress shoes for men black and white Aris Allen Men's 1946 Black and White Spectator Wingtip Dance Shoes *c

Sale price$25.65 Regular price$28.50
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dress shoes for men black and white Aris Allen Men's 1946 Black and White Spectator Wingtip Dance Shoes *cWe are selling all of our slightly imperfect inventory off at a hefty discount! We originally sold these at $179. 95. They are handmade dress shoes. They have a spot, mark, or wrinkle on them. If you're ok with that stock up now! And yes, they are returnable. Just don't step off the rug until you're sure they fit. Handmade Swing Era dress shoes in the style of a spectator wingtip from the 1946 Sears and Roebuck Catalog. And when we say "handmade" we

  • We are selling all of our slightly imperfect inventory off at a hefty discount! We originally sold these at $179.95. They are handmade dress shoes. They have a spot, mark, or wrinkle on them. If you're ok with that stock up now! And yes, they are returnable. Just don't step off the rug until you're sure they fit.
  • Handmade Swing Era dress shoes in the style of a spectator wingtip from the 1946 Sears and Roebuck Catalog. And when we say "handmade" we mean it. Every one of these has been individually cut and assembled by hand.
  • These are made specifically for dancing on dance floors - DO NOT wear them outside.
  • Features the Aris Allen Raw Sole: a flexible leather sole and heel made especially to provide you with the action you want on the dance floor. Ask any dance instructor: the “fastness” of the sole forces you to “find your center” immediately.
  • This is a slightly roomy style - customer feedback says it's a smitch taller than what they are used to. See sizing recommendations below.
  • Heel height is approximately 1".
  • Item #: 477-BW

SIZING TIPS - (ALL SHOES ARE USA SIZES):
(Our returns show we are right about 90% of the time)

These are running a little smaller than true-to-size. So start with your men's dress shoe size - the size you measure on the Brannock Device (the metal thing at the shoe store) - and go up a half size. Unless you are just a little smaller than the size you usually wear - then stay at that size. Call us if you need help figuring out your size.

Narrow width: 
Test dancers with narrow feet had to put thin inserts in them to get a good fit. If you are in between sizes the smaller of the two might be best for you.

Medium width:
Stick with your usual size if it's sometimes a little too long. If you are in between two sizes then go up a half size. Add a thin insert if it's the perfect length but a bit too roomy inside.

Wide width: 
These are roomy but are not made for wide feet. For instance; our 9.5 EEE test dancer could wear a size 10 but prefers our wide captoe instead.

BALMORAL STYLE:

These are traditional wingtips constructed in the Balmoral style. This means they are stitched across the ball of the foot and cannot be loosened or tightened the way a “Blucher” styled shoe can. Because of this they are not a good choice for anyone with extremely wide or narrow feet. Our Captoes have Blucher construction and are better suited for a wider variety of foot widths. Check out Swing Shoes 101 for more about this.

ABOUT THE ARIS ALLEN RAW SOLE:

  • The Aris Allen Raw Sole is made from flexible hard leather that gets a little “faster” over time by repeatedly absorbing the natural humidity in the air (especially at a dance) and drying. The bottom of the sole and heel is made from sanded hard leather and performs a lot like Chrome Leather (suede) which allows you to spin and slide, and still control the floor. If you find the sole has picked up dirt from the floor and is slowing down, just shuffle your feet on the sidewalk once or twice to refresh it.
  • The raw leather surface is designed for the intermediate / advanced dancer - but they're also great as a second pair for beginners... the “fastness” of the sole forces you to “find your center” immediately.
  • This style was created to give you a shoe that is similar to what was being worn when swing dancing was invented. If you want to look authentic on the dance floor you need to be wearing the same thing that dancers were wearing in the 20s, 30s, and 40s.

ABOUT THE CONSTRUCTION OF THESE SHOES:

They are absolutely 100% handmade. The cutting of the leather is done by hand - not stamped out, the glue is put on with a brush, not a machine, and the sewing, while done with a sewing machine, is done one at a time. You can even see the occasional pencil mark! This means that the shoe on your foot is the product of a craftsman who sees the shoe from start to finish. This also explains why you will find the occasional imperfection. They are made one at a time.

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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 40599219075

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4.3 ★★★★★
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H
Verified Purchase
Hp2020
Whiting, US
★★★★★ 5
Favorite Hebrew Reference Book
Format: Hardcover
This is the Hebrew grammar that I use the most often. While I also use Williams and Arnold and Choi, this grammar is more comprehensive, and its size certainly reflects this. It probably betrays my inclination towards the exactness of Greek to like this grammar so much. As my Hebrew professor often tells us, all these grammar categories are contrived to some extent, so at some point it isn't helpful anymore to go further in depth on the uses of the so-called "cases." All in all, I usually find it easy to locate the grammatical point in which I am interested, though sometimes I have to resort to looking up every instance a Hebrew particle occurs throughout the book. For this looking up of various nuances of a particle, I sometimes find Williams more user friendly. Nevertheless, Waltke and O'Connor's volume has been my resource of choice.
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Reviewed in the United States on November 6, 2012
S
Verified Purchase
Stephen T
Belleville, US
★★★★★ 4
deep
Format: Hardcover
If you are a serious student of Hebrew this is the only way to go. The book explains how the language is built from the ground up. If you are like me you have found learning Hebrew challenging (that's a joke). I have tried learning vocabulary, rote memorization, even coming up with silly English sentences to help me remember words (The goddess "Hera" is quick) (sad, I know). This tool is essential approaching the language from the building block side of things and I am now able to look at the prayer book and recognize forms and tenses I never understood before. It is for the serious student who REALLY wants to learn the language.
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Reviewed in the United States on February 27, 2009
C
Verified Purchase
Christopher C. Alsruhe
Lake Worth, US
★★★★★ 5
Can't do Without
Format: Hardcover
I have been a fan of Gesenius for a long time. While I knew there was updated information to consider, I thought his text was enough. But although his text is certainly still necessary, and necessarily covers issues that the book reviewed here does not, it is clear that one must turn to Waltke & O'Connor to reach a greater level of accuracy. Writing so long after Gesenius, they have presented new and accurate information based on the latest research, not only of Ancient Hebrew, but also based on cognate Semitic languages. I have found the sections on Hebrew verbs the most enlightening and correcting, e.g., that the Pi'el stem is NOT intensive. Such intenseness must be detected from a combination of the lexical verb meaning, the stem, and the text/co-text. This book also presents other up-to-date information on the forming of nouns from verbs, etc. As others have noted, the layout and presentation is great. It really can't be presented any easier, I don't think. One must read Gesenius, for he presents very important information across the board, including much on phonology and linguistics not covered by Waltke & O'Connor. But to stick with Gesenius will leave one in error on some points. Waltke & O'Connor, simply put, make the corrections and make studying Biblical Hebrew exciting, and even much easier to learn.
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Reviewed in the United States on January 13, 2004
R
Verified Purchase
Robert J. Huffine
Alexandria, US
★★★★★ 5
Best Of The Best
Format: Hardcover
This is the best book I've ever yet read on Hebrew Syntax as was used in the Tanakh. You can't go wrong with this, even though at times, the English-language linguistical jargon may give you a headache, the authors were quick to point out that Hebrew cannot really be clearly defined with English Grammar terminology. But it's format is easy on the eyes. You will often find yourself flipping back a page or two at a list or chart, for whatever they're explaining, but I don't understand how you could have a problem with that. I first saw this at the Portland City Library in PDX, Oregon, and vowed to myself I was going to buy it, no matter what the cost. It's worth it's weight in pure platinum..!
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Reviewed in the United States on November 20, 2014
J
Verified Purchase
John Ferrer
New York, US
★★★★★ 5
Hard to Beat
Format: Hardcover
Waltke's grammar is about as good as it gets with Hebrew Grammars. Considering the subject matter and its scope one has to expect a monolith like this 700pg jumbo sized monster. But this isn't just some pedantic and wordy school book, it is accessible (assuming that the reader has a basic understanding of Hebrew already), rich with Biblical examples, and comprehensive (at least as far as a grammar can be). This book has set a standard for Hebrew Grammars and is a must for the serious Hebrew student.
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Reviewed in the United States on October 3, 2005

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